http://epaper.navhindtimes.in/mainpage.aspx?pdate=2017-03-05
Well-
behaved women do not make history
‘Alice in Wonderland’ directed by Tim
Burton did not bag laurels just for the colorful portrayal of the Mad Hatter,
but a complete reworking of the character of ALICE. A well mannered, soft
spoken, delicate darling Alice, made it to the gumption list of the maverick
heroines. She takes on the evil queen in a fight and refuses to marry the
prince. Manjula Padmnabhan’s ‘Unprincess’ is a maverick girl who takes on her
own battles and knows her mind.
Heroines of the yesteryears were about
sacrifice, eternal love and duty. They were not supposed to flirt, throw a
tantrum to acquire their heart’s desire or eye their friend’s suitor. Even if
such human feelings surfaced in them they were to camouflage their true spirit
under a garb of politeness and sweetness. No doubt women were always scheming
and plotting – cause they could never be forthright and open about themselves
and their desires. They were certainly not supposed to be assertive, and let
the whole world know whom they loved and be selfish and ruthless in pursuit of
their goals in life.
We would have heavily frowned upon such
heroines and we did exactly that down the ages. Madame Bovary, Hester Prynne,
and Scarlet o’ Hara were read with censure rather than admiration and sympathy.
But now the tables have turned and when we read Scarlet O ‘ Hara we see her as
a brave woman who survives the civil war with hard work and a has no nonsense
attitude about herself. We view her more realistically and admit that the
reason Rhett Butler is attracted to her in the first place is because of her
forthright attitude and outspokenness.
‘Well behaved women do not make history’
said Laurel Thatcher Ulrich. Creations of writing and imagination, literature
has created legendary heroines who in retrospect rank high on the list of
FIESTY HEROINES. Who are these heroines who compete for a place in the elite
list? They don’t need to wrestle with stalkers, or kick sick men in their
asses, they just need to be smart,
confident, gutsy, vivacious, articulate and very clear to know their minds and
make unhindered choices; female protagonists, whom we have read and who have
stepped out of print and become our close companions and confidantes.
Shakespeare’s Cleopatra has been
objectified, declared a temptress a “whore”, an enchantress who made Antony
“the noble ruin of her magic.” This threat has much to do with Cleopatra’s
beauty and expressive sexuality.
Cleopatra is self-involved, a narcissist. The dichotomy of a
manipulative seductress versus an able leader will always stay with her image
as 19th century artists painted her with the asp applied to her
breast rather than the arm where it bit her – clearly indicating the fact that
she was more an object of desire than a strong woman ; nevertheless, her charisma, strength, and
indomitable will makes her one of Shakespeare’s strongest, most awe-inspiring
female characters.
Hester Prynne in ‘The Scarlet Letter’ wears
the scarlet letter on her bosom with gumption and lives with her daughter in
the same place that ostracized her. She also never breathes out the name of the
father of her child. Shamed and alienated from the rest of the community,
Hester becomes contemplative. She speculates on human nature, social control,
and larger moral questions. Hester’s tribulations also lead her to be stoic and
a freethinker.
Elizabeth Bennet is never intimidated in
‘Pride and Prejudice’. Jane Austen thought her ‘as delightful a character as
ever appeared in print’; a woman who is delightful for reasons other than those
of beauty alone. She is characterized by wit, independence and a courageous
ability to admit her mistakes. She wants to be seen as a rational and
autonomous human being in the same way as men are. She tells Mr Collin as much.
Jo March, the rebel and tomboy of ‘Little
Women,’ beseechingly asks her mother why she cannot be content to sew, cook and
look after babies like her sisters. The restlessness and adventurous spirit
drives her to travel and finally she falls in love with her writing and the professor.
Her struggle to blend family life and responsibilities with a creative
profession could be a precursor to the choices women make today.
Catherine’s wildness in ‘Wuthering Heights’
is the rejection of her gender identity as defined by a bourgeois society. The
heliographic on the walls of her room at Wuthering Heights is the symbolic
remnant of her struggle – Catherine Earnshaw, Catherine Heathcliff and then
again Catherine Linton. Her practicality makes her choose to be a lady over her
wild passion for Heathcliff, which is her real self. Catherine is a women’s
anguished voice which revolts; a haunting presence, always to remind of that
which is denied to her – of what she actually wanted to be.
In
Anna Karenina the theme is one of adultery, a romance which shakes the
foundation of a society steeped in hypocrisy. Anna is unforgettable for her
refusal to observe the proprieties exacted in such a liaison - remember she adamantly argues with Vronsky
and goes and attends the opera in her regal attire.
If we were to shift the narrative from
fictional to real life women who live in our societies and create such colossal
feminine characters then Maya Angelo, Alice Walker, Anita Desai would take the
lead. Anita Desai is unique in portraying a wide gamut of Indian women in her
novels. What really struck me was that in one of her interviews, she candidly
admitted that she loved her writing passion and would yearn for time to herself
away from her responsibilities of family life and children – to return to her first
love – WRITING ; very akin to Virginia Woolf’s – a room of one’s own.
With translations Indian regional
literature has become mainstream now. I have recently encountered bold real
life heroines in the images of Karaikkal Ammaiyar ( Tamil mystic saint), Andal,
Akka Mahadevi (Kannada Literature), and Muddupalani (Telugu poetess).
Mahashewta Devi, Kamala Das are bold examples of women who have left larger
than life size images for posterity.
If you are attracted to some people and
characters, it is an indication of the fact that you harbor some of their
characteristics and aspire to be even more like them. Well, if that holds true
and you admire these maverick heroines, you could make history too! Happy
International Women’s Day!
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